Recently several University Libraries employees have been honored with promotions, awards or grants.
Alex Howard, Business and Entrepreneurship Librarian, and Fannie Cox, Outreach and Reference Librarian, both from Ekstrom Library’s Research Assistance and Instruction department, were awarded grants from the Office of Community Engagement Gheens Foundation Mini Grant Program. Howard received a grant based on her research study titled, Engaged Learning & Entrepreneurship: Supporting Campus & Community Collaboration. Cox was awarded a grant for “The Friends of Parkland Library Raise Awareness Project” to support the newly reopened Parkland Library.
The grants support programs which “will directly benefit the community through direct service, research, or outreach in collaboration with community partners.” Priority was given to projects in collaboration with underrepresented communities such as west and south Louisville, the immigrant and refugee community, rural communities, or the international community. Awardees were honored on Oct. 14 during an Awards Ceremony at the 2022 Community Engagement Luncheon.
Anita Hall, Assessment and Analytics Librarian, was recently awarded the Kentucky Library Association (KLA) Kentucky Libraries Feature Article of the Year Award for the article: The Impact of the Early COVID-19 Pandemic Response on Kentucky’s Library Workforce. Co-authored with Brandi Duggins, the article examines initial library responses to the COVID-19 pandemic in Kentucky and their effect on library workers. A study reveals that over 30% of respondents were affected by some type of employment-related measure, with 11% either furloughed or laid off.
The Libraries have promoted two librarians to assistant professor: Gina Genova, a Clinical Librarian with Kornhauser Medical Sciences Library, and Alex Howard, Business and Entrepreneurship Librarian with Ekstrom Library.
Genova started at the University of Louisville’s Kornhauser Health Sciences Library in November 2020 while the university was still working remotely due to COVID. Since then, she has worked with students across the health sciences campus and with several clinical departments, primarily pediatrics and otolaryngology. So far, her research has focused on finishing reporting for a fellowship project from her graduate program and on joining evidence synthesis projects, such as systematic reviews, with HSC faculty. She has presented work on systematic reviews at the Medical Library Association’s annual conference, and serves as an ambassador for the Kentucky region of the Network of the National Library of Medicine.
Howard began work in 2020 as an instructor and was promoted to assistant professor after two years of service. As the Business Research & Teaching Librarian, her primary role is to serve as the liaison to the College of Business and offer research assistance and instruction to students, faculty, and staff. She serves on the Diversity and Inclusion Advisory Group for the University Libraries and in 2021 was appointed by the university president to serve on our university’s Commission on Diversity and Racial Equity. Her research as a tenure-track faculty member investigates how universities can support local Black-owned businesses in their communities.
She was selected to participate in the American Library Association’s 2022 class of Emerging Leaders, a prestigious national program that only accepts up to 50 participants annually from across the country. She was also named an Association of College and Research Libraries (ACRL) Member of the Week in that same year.
In addition to her promotion to assistant professor, she was appointed to the role of Engaged Learning Coordinator for University Libraries starting November 1, 2022.
UofL Sociology professor Dr. Jon Rieger, who died in 2020 at age 83, distinguished himself in many areas beyond a remarkable 60-year academic career, including as a pioneer in visual sociology, as a US Navy captain, as a board member and patron of Louisville community and arts organizations, and as the author of a seminal bodybuilding manual.
Beyond these achievements and closer to the hearts of the local artistic community was Rieger’s strong impact on their creative work and lives. He functioned as a mentor, sounding board, supporter, caring critic, and advocate for many local musicians, photographers, painters and dancers. His obituary captures the love and respect they had for a man passionately devoted to fine art in its multi-varied forms.
One of Rieger’s strong, lifelong passions was contemporary classical music, which led him to amass a vast collection of recordings in various formats. Some are extremely rare, perhaps singular, from such locations as Russia, China, Eastern Europe, and the Americas, many gathered abroad during his years of active duty in the Navy.
Due to Rieger’s generosity and the University Libraries great fortune, these recordings are now publicly available at UofL’s Music Library. The new Jon Rieger Collection contains around 7,000 recordings (circa 4,000 LPs, 2,500 CDs and some 200 cassettes). Due to the size of the collection, the library’s process of cataloging is ongoing, but all recordings are available for borrowing or enjoying on site.
“Many of the recordings were collected while he traveled the world in the Navy and sought out recordings from other countries,” said Music Library Director James Procell. “So what you see in this collection are some extremely rare recordings, many of which were never commercially available in the US. He ordered pressings of particular broadcasts he encountered on the BBC, Radio Netherlands or on other international stations, so it’s possible these are the only recordings.”
A true audiophile, Rieger created a sophisticated sound environment in his home with two massive speakers for high-quality listening, said Procell. “He enjoyed sharing this experience with others and would often invite friends over for listening sessions and parties.”
In 2015 after Procell became Music Library director, Rieger reached out to him to arrange the library’s acquisition of his collection “when he was done with it” (i.e. upon his death). He wanted it to go to UofL, but remain separate from the Library’s main holdings.
“Typically, we can’t do that for most individual donors, but since Rieger’s collection is so unique and distinguished and expansive, we agreed to create a separate area for it. Not many people collect these types of sound recordings anymore, or have these big physical collections, so this is particularly special.”
Procell also plans to create a separate listening area with comfortable seating and headphones, so that students, faculty, researchers and the public can come and enjoy the music and browse the stacks at their leisure. The Music Library will organize the collection by record label, following Rieger’s own printed catalog of works and method of organization, which he updated until 2018.
“Anyone can check out the albums even though not all of them are cataloged as yet,” said Procell. “All are browse-able and on the shelves.”
Procell has been aided in his curation of Rieger’s collection by Louisville cellist, songwriter, and storyteller Ben Sollee. In Rieger’s obituary, Sollee says that Rieger “built a family around his love of the arts . . . that he affectionately coined the ‘Tin Ear Society.’ This expansive family of dancers, musicians, composers, photographers, writers, visual artists and creatives were all connected by his mentorship, patronage, and radically honest critiques of our work. He helped us make better and more meaningful art. And, importantly, he never missed an opportunity to get us all together to enjoy Louisville’s bounty of performances. He taught us all, as both a sociologist and Big Brother, that great art is the product of and the fuel that grows thriving communities.”
“Jon was a huge supporter of the arts,” said Procell. “He financially supported causes he thought were important, including various arts organizations, and individual artists, photographers, dancers and musicians.”
“He was a very good friend of the Music Library and the School of Music and is missed by everyone here that knew him.”
The stories of Chinese American women who prevailed in legal battles in American courts are the focus of the traveling exhibit “Herstory 2: The Legal History of Chinese American Woman” now showing in Ekstrom Library through mid-October.
The exhibit features rare photographs and case descriptions of efforts by Chinese-American women to gain legal standing in the U.S. It is shown on the tall display tables in Ekstrom Library’s east side first floor and was launched to coincide with the Mid-Autumn Festival, a traditional Chinese holiday.
Beginning in 1852, the exhibit documents women who fought for equal treatment in the eyes of the law, for citizenship and the right to public education. At a time of public debate around immigration and national identity, this exhibit sheds light on the brave women who fought for their rights, and, in doing so, helped shape a brighter future for younger generations.
The women profiled in the exhibit cleared a path for Chinese American women to gain basic legal standing in the US, and according to the curator’s notes, disproved the ancient Chinese saying that “Only unpleasant endings emerge from lawsuits.“
Exhibit materials are drawn from the personal collection of Dr. Chang C. Chen, a U.S. attorney and author who was born in Taiwan who has also served as a Taiwan senator and television host in Hong Kong. She has long advocated for the rights of Taiwanese and worked pro bono to bring legal challenges in support of Chinese Americans.
This exhibition is the second of the “Herstory” series Dr. Chen curated. While the collection started as a small personal project, the exhibit has toured and appeared in international libraries and museums in Taiwan, Los Angeles, San Francisco, Hawaii, and New York, among other cities. When she started this project, a search in the index of the Library of Congress for the phrase “Chinese American Women” yielded not a single result, now thanks to Herstory, tens of thousands of entries exist.
A treasure trove of roughly three million images have been donated to UofL’s Photo Archives by current and former owners of Louisville’s Courier Journal newspaper.
The Courier Journal – winner of 11 Pulitzer Prizes throughout its 154-year history – and its parent company Gannett have transferred its library of photographs and negatives to UofL Archives and Special Collections. Many of the images are iconic and capture important historical moments in the last century.
Members of Louisville’s Bingham family, which owned the newspaper from 1918 to 1986, have made a separate donation to support the collection, including preserving it, preparing it for use by the public, and developing programming to enable the public to engage with it.
Their combined generosity is creating the Barry Bingham Jr. Courier-Journal Photo Collection, a unique journalistic collection of local, state and national importance.
“We are incredibly grateful to the Courier Journal, Gannett, Emily Bingham, Molly Bingham and the rest of the Bingham family for making this historic gift possible,” UofL President Lori Gonzalez said. “Generations of readers saw these photos in their daily newspaper each morning, and now, future generations will continue to be able to study and appreciate the insight they provide into the history of our city, state, nation and world.”
“This gift will allow the Courier Journal to retain the legacy of our work through this collection of historic photographs,” said Courier Journal Editor Mary Irby-Jones. “It is important for us to preserve and share our work with others so our community can learn about the history of Louisville as captured through our photographers in the field for more than 150 years. The Courier Journal is honored to entrust this priceless archive to the care of the University of Louisville for the purpose of making the collection available to the community for research and scholarship.”
“For most of a decade, it has been our dream to honor our father by finding a permanent, public home for the Courier Journal’s photographic collection,” said Emily and Molly Bingham. “This visual treasure is a testament to his dedication to high quality journalism, his passion for photography, his love of archives and his commitment to public access to information. He is up there somewhere today, smiling and joyfully twirling his trademark handlebar mustache.”
About the Barry Bingham Jr. Courier-Journal Photo Collection
The collection, consisting of images created by the photo department that served both the Courier Journal and the afternoon Louisville Times newspapers, chronicles daily happenings and major events from approximately the mid-1930s to the early 2000s when digital photography began to replace the use of film to capture images. The collection doubles the size of UofL’s photo holdings. It might have dated back further, but the Great Flood of 1937 destroyed much of the newspaper’s photo and negative library.
“The collection chronicles the civil rights movement, World War II, the Kentucky Derby through the years, presidential visits, changes in the built environment, and numerous public appearances and behind-the-scenes images of world leaders and celebrities,” said Archives and Special Collections Director Carrie Daniels. “Basically, all of the changes happening within our country were captured in these photographs.”
“It’s an incredible collection,” Elizabeth Reilly, photo archivist, said, “and with any large-scale acquisition like this, it will take years to process, organize and add information to the collection, to make images discoverable and usable by the public.
“A small portion of the collection will be available online in the near future, and, as we process the amazing imagery it contains, we will be opening up bigger and bigger parts of the collection to the public, making it accessible to everyone who wants to see it.”
Reilly credited Barry Bingham Jr., the third and last Bingham family member to serve as the paper’s publisher, for his devotion to setting high standards for the photography his newspaper published. The Courier Journal won two Pulitzer Prizes for photojournalism during his tenure.
“He was a huge supporter of high-quality photojournalism,” Reilly said. “He grew and improved the quality of photography in the newspaper through investments, hiring talented photojournalists, and giving them time and travel budget to capture visual information beyond the news moment or press release. That commitment to quality is reflected in the collection and adds to its national significance.”
Daniels cited the increase in scholarship and creative potential that the collection will bring to UofL. “Our Photographic Archives already contain 2-3 million historical, documentary and fine art images dating from the 19th century to today that capture faces, buildings, landscapes and events from around the world, with a focus on Louisville and Kentucky. These images have appeared in scholarly or artistic work, including filmmaker Ken Burns’s documentaries, Dustbowl, Prohibition and Baseball. This dramatically increases our ability to provide images that everyone, including scholars and artists, will be able to use going forward, and we are very excited about that.”
The Barry Bingham Jr. Courier-JournalPhoto Collection Endowment is seeking additional contributions to support the organization, digitization, library services and public programming for this remarkable resource.
To make a contribution or for more information, contact Denise Bohn, email@example.com.
Three long-time University Libraries staff members were honored recently with the Staff Service Recognition Award for their long history of employment and service at UofL. At a reception on July 19, President Lori Gonzalez and Brian Buford, Head of the Employee Success Center, presented awards to Kathy Moore, Circulation Manager at the Bridwell Art Library (45 years); Andy Clark, Ekstrom Library Facilities Coordinator (15 years); and Anthony Iles, Technology Specialist with Kornhauser Health Sciences Library (15 years).
Kathy Moore began her career with the Art Library in 1975 as an undergraduate at UofL, working as a student assistant while earning her Bachelor of Science in Biology major. When a staff position opened with the Art Library, she jumped at it and never looked back. She remembers using the card catalog and “our oh-so-futuristic IBM Selectric II Correcting typewriter with changeable font balls.”
As one of only three staff employees who have worked for 45 years honored at the event, Moore was invited to speak to all attendees.
A 1988 UofL alum, Andy Clark worked with UPS before coming to Ekstrom Library as a Facilities Coordinator in 2007. Clark said Ekstrom was his favorite place on campus during this student days, but thought the building – built in 1981 – seemed old and dated. He has been glad to see the improvements and renovations in the library over the past 15 years.
Anthony Iles has worked as a Technology Specialist at Kornhauser for two years, formerly working as an Inter Library Loan Assistant, Library Assistant and Clinical Research Assistant. Prior to joining Kornhauser, he briefly worked for Humana Corporation.
Kornhauser Library “provides a unique service to the medical community,” Iles said, “whether face to face and/or virtual, which allows us to help those doing research get information they need. The reason I have stayed at Kornhauser Library is because I enjoy the work that I do and the people I work with. We are a great ‘work family.’”
The reception was hosted by the Employee Success Center to honor all employees who have worked at least 10 years for UofL.
University of Louisville Libraries Archivist Heather Fox recently traveled to Whitesburg, KY to assist in cleaning and preserving damaged archives at Appalshop, an arts and education center focused on Appalachian culture. The organization’s building and contents were badly damaged during recent flooding in Eastern Kentucky where rainfall swelled the North Fork of the Kentucky River and inundated Whitesburg’s downtown.
The organization’s archive holds roughly 20,000 items, including oral histories, musical recordings, film, videotape, records and photos. Some of the film and videotape was seen in the streets following the flooding. Efforts to retrieve and clean archives will be slow and painstaking but necessary to preserve the rich historical record of Appalachian culture.
Fox, who directs Archives and Special Collections’ Oral History Center, joined a number of archivists from around the state who will assist in moving Appalshop’s video and film collection into freezer trucks, among other tasks.
If you need help or have help to give, go to appalshop.org/floodsupport.
Early posters and other works by internationally renowned Louisville artist Julius Friedman are featured in the exhibit Graphic Pioneer: The Early Poster Designs of Julius Friedman, 1965-1980, hosted by Photographic Archives, part of UofL’s Archives and Special Collections (ASC). The exhibit opened with a reception on July 14 featuring the dedication and renaming of the Photographic Archives gallery in Friedman’s honor.
Friedman’s sister, Carol Abrams, donated the bulk of his artistic works to the Photographic Archives after his passing in 2017. Ms. Abrams states, “Julius loved to mentor students and fellow artists. In giving his work to the Archives and Special Collections, students can learn from his work.” Ms. Abrams also generously provided support to renovate the gallery, enhance storage for ASC’s photographic holdings, including Friedman’s work, and prepare the collection for research by the community. This preparatory work is ongoing, but the full collection is expected to be open to the public in 2023.
Beloved by the local arts community, Friedman was also highly regarded among international audiences. Perhaps best known for the posters “Fresh Paint” and “Toe on Egg,” Friedman created posters and other graphic works for a broad range of clients. Outside of his design work, Friedman created his own artwork through photography – often printing on unique surfaces like metals and fabrics – as well as sculpture, furniture design, collage, book art, and collaborative video. While this exhibit focuses on his early posters, the collection includes this broad range of media and formats.
“Julius Friedman was such a significant figure in our local arts scene,” said Carrie Daniels, Director of ASC. “We are delighted to serve as the home of his archive, and to present a slice of it to the community in this exhibition.”
Friedman was a graphic design alumnus of UofL and had a decades-long relationship with the University Libraries. His work frequently appeared in ASC exhibits, including a 2012 celebration of Photographic Archives’ 50th Anniversary, which featured Friedman’s photographic capture of a ballerina in mid-swirl. Friedman’s close friend, former Art Library Director Gail Gilbert, inspired one of Friedman’s later efforts, a project titled The Book. Gilbert suggested that Friedman create works of art from old books that otherwise would have been thrown away, and he ran with the project, taking old books, tearing them, twisting them, boring into them, reconstituting them and creating art. The Book consists of 130 photographs of that art.
Among ASC’s Oral History Center (ohc.library.louisville.edu) digital offerings are two recordings of conversations between Abrams and ASC archivist and local historian Tom Owen. In them, Abrams discusses her memories of growing up with Julius, her older brother and only sibling, and how she came to work alongside him in his studio and then gallery to exhibit and sell his work commercially. Abrams recounts observing her brother’s talent burgeoning in childhood and watching him become successful as an adult. She also talks about establishing a nonprofit foundation in her brother’s name to help young people pursue academic degrees in the arts, the Julius Friedman Foundation (juliusfriedman.org).
The exhibition will run through December 16 in the Julius Friedman Gallery, on the lower level of Ekstrom Library. For more information, contact Elizabeth Reilly (502 852-8730; firstname.lastname@example.org).
In celebration of Pride Month, local news affiliate WHAS recently interviewed Rare Books Curator Delinda Buie and Archives and Special Collections donor and local activist David Williams about the Williams-Nichols Archive, one of the largest LGBTQ collections in the U.S.
Williams donated the large, eclectic archive to ASC in 2001 to honor his late partner Norman Nichols, who died in 1995. It contains many pieces of memorabilia from protests and demonstrations, parties and events, and photos, newspapers, magazines, flyers and other materials.
You can find the article here: https://www.whas11.com/article/news/community/moments-that-matter/louisville-lgbt-history-ekstrom-library-collection-archive-david-williams-kentucky/417-b72d609a-8fa2-4410-b309-0ed5853ba173
By Trish Blair
Have you ever thought about the names of the buildings and spaces while you were walking around downtown, your own neighborhood, or even the University of Louisville? The names of buildings, streets, and organizations are usually derived from either a person, place, or thing. The Hite Institute for Art and Design is named for Allen Rose Hite (1865-1941) whose generous bequest of nearly $1,000,000, 75 years ago elevated the Art department to a nationally known art program. But why did a businessman and attorney (UofL 1885) grant such a substantial sum of money to creating a space for students to learn the visual arts? Because his wife, Marcia S. Hite, was an artist and convinced him that the arts and art education was a valuable gift to the people of Louisville.
Marcia Shallcross Warren (1877-1946) was born in Louisville to a prominent family of steamboat captains and society dames. She entered a world of debutantes, formal dances, and ladies who lunch. After her debut, she met Allen R. Hite and they were married in 1897. They settled in a grand house on Third Street and began their life of civic duty and patronage. When the first World War broke out in Europe, Allen was too old for conscription, so he and Marcia volunteered at Camp Taylor. Marcia became a local hero by de-facto leading the Red Cross mission at Camp Taylor, raising $250,000 ($4.6 million in 2022 dollars) in 1918, for the Red Cross.
As part of the 75th anniversary of the Hite Institute of Art and Design, the Art Library will host an exhibit honoring Marcia Shallcross Hite, who along with her husband Allen R. Hite, made the bequest that funded the creation of the Hite Institute. During her lifetime, Hite exhibited her watercolors in New York and Boston alongside artists such as Edward Hopper and John Carroll. The exhibit is based on artifacts from the Allen R. and Marcia S. Hite papers in the Art Library’s manuscript collection and features some of Marcia Hite’s original works from the University of Louisville art collection. The exhibit will be on display throughout 2022.
When the war was over and they re-settled into married life, Marcia began taking art classes at the newly formed Louisville Handicraft Guild. She became president of that group’s next incarnation, the Louisville Art Center. During this time, Marcia discovered that she could paint and draw despite no formal training. In 1930, after painting watercolors for two years, she began exhibiting in New York and Boston, along such artists as Edward Hopper, as well as in Louisville. She became known as ‘Louisville’s Memory Painter.’
In 1941, she became a widow when her beloved husband Allen died at the age of seventy-six. However, before his death Marcia, had transformed Allen into an art lover and a philanthropist. When Allen wrote his first will, he made a codicil that they would bequest the bulk of their estate to the University of Louisville to create an art institute. In 1946, after Marcia passed, the Allen R. Hite Institute of Art was founded. At the time their gift was the largest in UofL history.
While the name has evolved over the last 75 years, the mission is still as they envisioned:
“For the furtherance of Modern art in general and education by teaching, lecture and scholarship.”
Without Marcia Shallcross Warren Hite the visual arts would be very different at UofL today.
Studies have shown that students will forgo buying a textbook due to its price even while acknowledging that they will do worse in the class without their own copy. With hardcopy textbooks costing as much as $400 with averages running between $80 and $150, many students feel financially pressured to not purchase the text.
Open Educational Resources (OER) can help students succeed by reducing their costs and improving their access to course materials. OER are freely available material and the availability of them is growing as faculty recognize the advantages to students and their financial considerations in whether to buy textbooks, or indeed, to complete their degrees.
In order help faculty learn about OER, the University Libraries have created a new website, https://library.louisville.edu/oer/, that provides information on what OER are, how to find them, and how to implement them.
The Defining OER section introduces what OER are and how they benefit student learning.
The Finding OER section includes search options for OER metafinders and library e-books (which are available at no additional cost to UofL students, staff, and faculty). On the OER by Subject tab, faculty can link to individual guides for specific subjects which provide highlight available materials. The Evaluating OER tab provides a suggested list of questions faculty should ask when determining whether a particular OER will work for their class.
The Implementing OER section provides information on creating and adapting OER, creative commons licensing, and contact information for consultation services with our OER Librarian.
We invite you to explore the site and start thinking about how you could use OER to improve student success.
Richard, Brendan, Dean Cleavenger, and Valerie A. Storey. “The Buy-In: A Qualitative Investigation of the Textbook Purchase Decision.” Journal of Higher Education Theory & Practice 14, no. 3 (2014): 20-31.
“Average Cost of College Textbooks.” Updated August 12, 2021, accessed May 13, 2022, https://educationdata.org/average-cost-of-college-textbooks.