Across the country, a substantial number of academic musical archives are dedicated to folk, world, country, bluegrass, classical and other musical genres, while other popular forms – namely punk, hardcore, indie and rock – are left out of the mix.
Aiming to correct this imbalance, UofL’s Louisville Underground Music Archive (LUMA) was established in 2013 to preserve recordings, photographs, videos, ‘zines, set lists, fan mail, and other artifacts of the Louisville underground music scene from the late 1970s until the present.
Not only does LUMA not consider these musical genres to be chopped liver, it recently pursued and was given a grant of $1,800 by the Kentucky Oral History Commission (KOHC), allowing LUMA to add oral histories – interviews with individuals from the era – to its collection.
“These oral histories will be an excellent way to round out our collection” said Heather Fox, co-director of the Oral History Center and archivist for manuscript collections with Archives and Special Collections. Eighteen-hundred dollars doesn’t sound like a lot of money, but it makes it possible for us to do this work,” said Fox, who will oversee the project.
Matched by funds from the ASC’s oral history budget, the project will be built with $3,600, most of which will go toward paying local journalist and former punk rocker Chip Nold to conduct interviews with musicians from the era.
Nold is not only an experienced journalist and interviewer, with a degree in history from Princeton, but was also the lead singer for Babylon Dance Band (aka “the Babs”), one of the first punk groups in Louisville, thus “the perfect candidate for the project,” Fox said.
“Chip had experience interviewing people for feature stories, but we made sure to train him on oral history methodology, and then sent him out with a trusty Marantz PMD 660 [a portable compact flash recorder] to get started.”
“The oral history project fills in the gaps of our collection,” she continued. “It lets us discover what it was like to be playing music during that era, and what it felt like to be there then. This is something oral history is great at fleshing out.”
Among the first interview subjects was a local music critic, with other musicians from the scene also on tap.
“LUMA is an effort to document part of Louisville’s culture that might not be documented otherwise. Music has played an important role in cultural life of Louisville and still does, and LUMA is filling in that gap.”
“When we’re collecting artifacts around a music scene, we’re less interested in the published material, because there are multiple copies of that. We’re more interested in finding unique items, like fan mail.”
As an example, LUMA has a collection of fan mail sent to Louisville hardcore band Endpoint. Mail addressed to the band came from fans in Louisville, around the U.S., and even Germany.
“Fan mail demonstrates the impact this music had on this community and in other parts of the country and world. . . .It documents the ways in which people communicated before the internet, which is really neat,” Fox said.
“There is fan mail from Louisville fans just across town to the guys in the band. I doubt that ever happens now. People are on Facebook or other social media and have immediate contact.”
Once completed, Fox will upload them to the digital collections where visitors will be able to search for specific passages within the recordings. Archives and Special Collections will be “integrating a new software that will allow us to index digital oral histories and then provide online access that will include a search box, to make the recording key-word searchable. It’s also time-coded, so you can go to the exact place in the audio to find that passage.”
“Ideally what we want is a full transcription of an interview; that’s the most time consuming thing of the process,” she continued.
Fox has eight years of experience with all aspects of oral history, including recording, transcribing and conducting such interviews. She also provided access to oral histories through her work at the Kentucky Historical Society on the Pass the Word website and at the University of Louisville’s CONTENTdm instance which provides online transcripts and streaming audio.
The LUMA advisory board is comprised of local musicians like Nathan Salsburg, musician and curator of the Alan Lomax Archive; musician and actor Will Oldham; Diane Pecknold, professor of popular culture who has written and edited books about country music (who is married to a member of the Louisville band Squirrel Bait); and other members of the community like John Timmons, owner of celebrated ear X-tacy, an erstwhile record store that employed many active participants in the scene, developed a list of active and well-known musicians in the scene during the early to mid-1980s.
Please browse the LUMA collection and find out more about Archives and Special Collections.
By Carolyn Dowd and George Martinez
Following the November election, George Orwell’s 1984 became an instant best-selling novel. It is one among a number of 20th Century dystopian novels making a resurgence in popularity recently. A bitterly contested American election and subsequent change in governing style may have prompted some to seek out fictionalized accounts of dystopian realities, as an odd form of comfort.
What is dystopian fiction? Contrary to utopian fictions, in which an author projects an ideal worldview of humanity, dystopian fictions offer a darker vision of human behavior, where desired societal norms are turned on their heads. Thus, a society might led not by a beneficent, wise and humane ruler, but an immature, inhumane, simple-minded fool.
In 1984, Winston Smith lives under the intolerable, crippling and constant scrutiny of the ironically named ruler of Oceana, Big Brother. His attempts to find individual freedom within such a society forms the main drama of the novel.
Want to dig further into our collection of dystopian fiction? Here’s a list:
The Road by Cormac McCarthy
Brown Girl in the Ring by Nalo Hopkinson
The Stand by Stephen King
V For Vendetta by Alan Moore
Battle Royale by Koushun Takami
Blindness by José Saramago
I Am Legend by Richard Matheson
The Drowned World by J.G. Ballard
Parable of the Sower by Octavia Butler
By Rachel Howard
Most peer-reviewed academic journals are subscription-based: some require high fees from academic libraries and their institutions, while others charge authors directly if they want to make their content freely available to other scholars and researchers through open access. The University of Louisville recently launched its own open access, peer-reviewed journal, The Journal of Respiratory Infections, using ThinkIR, the University of Louisville’s institutional repository in University Libraries.
Released on January 30, the new journal is one of several open access journals planned for hosting in ThinkIR that will serve the needs of scholars and researchers worldwide regardless of their means and without toll barriers.
Left to right: Rachel Howard, Sarah Frankel, and Jessica Petrey of University Libraries; Dr. Julio Ramirez, Dr. Bill Mattingly, Kimberley Buckner, and Matt Grassman of Division of Infectious Diseases.
Doctors in UofL’s Division of Infectious Diseases approached their Clinical Librarian, Kornhauser Library’s Jessica Petrey, last year about their idea to publish two open access journals: one focused on respiratory infections and the other on refugee and global health. They had thought through the aims and scope of these journals, and identified who within the division and the field they wanted to be involved, but they needed the Libraries’ help with hosting it and providing digital preservation of journal content – a prerequisite to getting it listed in PubMed.
Jessica put them in touch with Rachel Howard, Digital Initiatives Librarian, whose work involves digital preservation as well as open access. As a result of the work of Rachel, Sarah Frankel, the Libraries’ Open Access and Repository Coordinator, Dwayne K. Buttler, the Evelyn G. Schneider Endowed Chair for Scholarly Communication at UofL, and the Scholarly Communication and Data Management Work Group, the Libraries developed policies, procedures, and agreements to support the Division of Infectious Diseases as a pilot project for a new phase of repository development. Jessica expanded her support of the Division by serving as copy editor of the journal.
On January 30, 2017, the Division of Infectious Diseases celebrated the launch of Journal of Respiratory Infections Volume 1, Issue 1, with a party at MedCenterOne. Petrey, Howard, and Frankel were in attendance, where they were warmly thanked by Division of Infectious Diseases Chief Dr. Julio Ramirez.
by Erin Gow
Perhaps not surprisingly, given recent news, the Law Library has seen a sudden surge in questions about U.S. executive orders.
Wondering how to find out more about them? Here are a few good resources to get you started.
Executive orders are published along with other Presidential documents in the Code of Federal Regulations Title 3, which you can access online, in print in the library, or through a subscription database such as Bloomberg Law, HeinOnline, Lexis or Westlaw.
To see recent executive orders visit the White House page. The American Presidency Project and Federal Register also reproduce executive orders, although there may be a slight delay before the latest orders are available.
For current and older Presidential documents, consult the FDsys compilation, which includes executive orders along with letters, statements and other documents.
Historic executive orders are available through the National Archives and through HeinOnline’s Daily and Weekly compilations of Presidential documents.
For more information about the issuing, modifying and revoking of Executive Orders, see the Congressional Research Service’s 2014 report.
UofL Archives and Special Collections will display a portion of its enormous Edgar Rice Burroughs collection July 1, just in time for the release of the new “The Legend of Tarzan” film. Burroughs famously created the original Tarzan character and stories.
The Burroughs collection is the largest in the world, with more than 100,000 items such as first-edition books, fanzines, film stills, scrapbooks and posters, games and other memorabilia from the author’s life and works.
Known as “The Grandfather of American Science Fiction” Burroughs penned 63 novels, 21 short stories and 26 literary sketches. Originally writing for pulp magazines, Burroughs quickly mined a deep vein with his Tarzan character by capitalizing on the stories’ success by allowing merchandisers to create knives, bows and arrows, belt buckles, watches, figurines, candy, bread, pop-ups, coloring books and costumes. Many of these items are part of the collection.
Beginning July 1, to synchronize with the movie’s release, ASC will exhibit editions of “Tarzan” in 37 different languages, to emphasize the worldwide appeal of Burroughs’ iconic character. It will be on the first floor of Ekstrom Library, in the west wing across from the circulation desk, and run until Sept. 2, one day after Burroughs’ birthday.
“What better time to showcase some of this important collection, which means so much to the numerous fans of Burroughs, than at the release of another ‘Tarzan’ movie,” said Carrie Daniels, director of Archives and Special Collections. “Just the fact that this story, with an indelible character at the center, prompts a major movie release shows the longevity and imaginative depth of Burroughs’ original tale.”
Most of the collection was donated and curated by Archives and Special Collections Professor and Curator Emeritus George T. McWhorter, as a tribute to his mother, who taught him to read early in life using Burroughs’ stories. The collection is officially named in her honor.
In addition to the displayed exhibit, all items from the collection are available in Archives and Special Collections Research Room, Ekstrom Library, lower level 17. Anyone with a photo ID may view or research individual items 8 a.m.-5 p.m. Monday-Friday.
For more information, contact Daniels at 502-852-6676 or email@example.com.
Beneath the flurry of renovation on the third floor in Ekstrom Library, the Libraries have made some strategic moves to allow for expanded digital access to some bound journals that have been removed prior to construction.
Older, hardbound journals have been removed to clear space for the Delphi Center’s new Teaching Innovation Learning Laboratory (TILL), slated for construction this summer in Ekstrom. However, these collections haven’t gone away; most have either been replaced by digital versions, or moved to the Robotic Retrieval System (RRS). In most cases, the Libraries are expanding access to journals and other collections.
“We’ve increased the number of journal titles available digitally,” said University Libraries Dean Bob Fox. “This will greatly benefit all the Libraries and their patrons.”
“In some cases, we’ve been able to provide access to all editions of journals that were previously only available in part.”
The Libraries’ administration has forged agreements with publishers, including Mergent, for business collections; JSTOR, for humanities and social science materials; Wiley, for science, public health, medicine, and social sciences titles; and the NEJM (New England Journal of Medicine).
“The TILL, the expanded collections, and, in future, the renovated learning spaces, are all ways the Libraries are working to advance the University’s research and teaching mission,” Fox said.
Fundraising efforts are in place to renovate the entire third floor, to upgrade student seating and study spaces. Over the summer, an additional arm of the RRS will be built to house lesser-used journals and other materials removed from the third floor.
If you walk around the third floor in Ekstrom Library, you’ll notice some changes in progress. Crews have removed furniture and dismantled shelves in the northeast to make way for enhanced study spaces, more comfortable seating, and a new teaching laboratory.
With a fully renovated third floor as the ultimate goal, space is currently being cleared for construction of the Delphi Center’s new Teaching Innovative Learning Lab (TILL), which is set to open by Fall semester 2016.
Currently in the final design phases, the TILL will provide space and equipment for faculty to learn and experiment with innovative teaching methods. The new laboratory, which is part of the University’s 21st Century Initiatives and supported by Interim University Provost Neville Pinto, will provide a large learning lab, collaborative spaces, conference rooms and offices for Delphi Center staff. Construction will proceed throughout the summer to prevent major disruption for students.
Some logistical changes will confront visitors in the near-term: several large study tables frequented by large groups have been moved to the second floor, where recently upgraded lighting will better serve group study.
Reference materials formerly shelved in the northeast have either been relocated to the Robotic Retrieval System (RRS), or replaced by expanded online databases available via the Libraries website. For example, databases such as JSTOR (http://www.jstor.org/), a digital repository of academic journals, books, and primary sources, has been expanded to offer access to new materials.
For the relocated physical reference books and other materials, Ekstrom plans to build a new arm within the RRS. Libraries Dean Bob Fox worked closely with the Provost and the Delphi Center to move this key library priority forward.
Remaining renovations to the third floor, including new study areas, furniture and other enhancements, are part of later phases of the project.