New Additions to the Fine Print Collection

The latest exhibit in the Photographic Archives highlights new additions to the fine print collection.

The Photographic Archives works to collect, preserve, and make available for research photographs primarily documenting Louisville and the surrounding region. These locally related photographs uphold the visual history of our city and hold tremendous research value, and as a result they are our most heavily used photographs by visitors to the Archives. But in addition to the expansive collection of local images, the archive also holds a significant collection of fine print photographs.

Steve McCurry - Fishermen at Weligama, South Coast, Sri Lanka, 1995

Steve McCurry – Fishermen at Weligama, South Coast, Sri Lanka, 1995

The definition of a fine print photograph is fluid, though generally fine prints are distinguished from the local historical photographs in our collection in that they were created as art works by photographers who identified as artists, or photographs that have since been recognized as works of art regardless of their original context. Factors including the photographer’s creative vision and evident choices in framing, exposure and presentation often differentiate fine prints from representational images such as documentary and snapshot photographs. Fine print photographs are collected and displayed in museums and galleries around the world, with some being sold at auction for millions of dollars. Held within the Photographic Archives fine print collection are thousands of works — many by masters of the medium such as Alfred Stieglitz, Edward Weston, Margaret Bourke-White, Ansel Adams, and Berenice Abbott.

August Sander - Three Young Farmers on Their Way to a Dance, 1914

August Sander – Three Young Farmers on Their Way to a Dance, 1914

In addition to being displayed in exhibitions, the fine print collection is regularly accessed for teaching purposes with prints being selected and presented to university Art History and Photography classes. The archive adds regularly to the fine print collection through donations and purchases from local galleries and national photography dealers. When choosing prints to add to the collection, we often consider opportunities for teaching by seeking out prints that will help us represent the entire history of photography and its major movements. We also look to collect a wide range of photographic processes as well works by noteworthy photographers.

Barry Andersen - Connemara Mountains, Peat and Sky, Ireland, 2004

Barry Andersen – Sheep and Standing Stone, Avebury, England, 1995

The exhibit “New Fine Prints: Recent Additions to the Collection” is on display now in the Photographic Archives gallery on the Lower Level of Ekstrom Library until March 6, 2015.

Henry Horenstein - Helen Pontani and Peekaboo Pointe

Henry Horenstein – Helen Pontani and Peekaboo Pointe, 2008

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